With each sculpture in the series, Chiarizia invites viewers into the gardens of his mind, where eyes peer out from blossoms, and where skulls dangle off vines like grapes ripening in the sun. The sculptures' imaginative imagery is achieved with flameworked glass that clings to a ruggedly organic blown glass vessel. While most flameworked glass is transparent, Chiarizia instead uses multiple applications of vitreous fired-on enamels to render blossoms, human hands, leaves and other elements rich in color and luminosity.
Nature, fantasy, and the subconscious mind inspire Chiarizia in his work. His fondness for botanicals stems from his Italian heritage. Childhood memories of fig trees and flowers bursting open in a summer garden have given way to a wondrous new genre of glass sculptures such as My Father's Figs and Gaia in the Night Sky (2002 NICHE Award). Provocative sculptures such as Emergence of the Maker (2001 NICHE Award), the startling Past Lives with Skullberries (published in Contemporary Glass: Color Light and Form / Guild Publishing), and The Optimist (2004, New Glass Review 25 Award) are visual narratives of humanity and convey emotions through gestural imagery. Chiarizia's boundless imagination and exploration of surrealism and fantasy come together in fantastic and abstract sculptures such as The Enigma of Fulfillment (2004, Museum of Art and Design Award).
The organic aspect of the Botanical series serves as a metaphor for life, including the potential for growth and renewal. "Each sculpture reveals its own story. In my imagination, I journey to a place where dark passages lead to splendid beauty. My sculptures are the discoveries; living, breathing creations that often take on human characteristics. The lines between nature, humankind, and fantasy have been blurred and the deeper I explore, the more wonderful the world becomes."